Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Wednesday, March 02, 2011
Monday, May 03, 2010
A boy, a book, a bag
PERCY JACKSON AND THE LIGHTNING THIEF
A 3rd GRADE PRESENTATION BY DANE REYNOLDS
Dane had a month to choose and read an Adventure or Mystery novel, write up a Summary/Setting/Character/Opinion report, and put together a bag of representative items. He spent the last four days dialing in the report and bag - and here's what he finally came up with for his project.
Click on http://www.youtube.com/watch?v=UuK09mfng28 to see it.A 3rd GRADE PRESENTATION BY DANE REYNOLDS
Dane had a month to choose and read an Adventure or Mystery novel, write up a Summary/Setting/Character/Opinion report, and put together a bag of representative items. He spent the last four days dialing in the report and bag - and here's what he finally came up with for his project.
Update: Dane presented this to his class today and totally rocked it. He blew his teacher away and earned an A+!
Labels:
3rd grade,
Books,
Dane,
Percy Jackson,
presentation,
review
Thursday, March 26, 2009
OSFs production of
THE MUSIC MAN
In honor of Mick's parents' birthdays, we took them to The Music Man at OSF's Angus Bowman Theater on Sunday. They were down here for a week of the kids' two-week Spring Break (those two weeks are another story, related to Oregon's economic crisis) and we thought that seeing this light musical with the family would be fun.
We took Mick's parents, our kids, and my mom -- and Uncle Kai came, too, which was particularly great because he'd been in the Curtis High School production of this show back in the day. (1989?) Mr. Barbershop Quartet, so I hear.
Whattayatalk?Whattayatalk?Whattayatalk?
I've never seen the play, and I thought it would be a fun show -- but I had no idea I would be so smitten.
From the opening "train" scene with all the salesmen singing and moving with a train engine rhythm, to the love ballad "Till There Was You" (which even the Beatles liked, see below), to that fabulous library scene with the sultry teen bookworms moving to "Marian the Librarian," this musical was absolutely charming.
Two big turn-ons in this production:

Bill Rauch directed the play, he's the OSF Artistic Director, and he did two things I thought were brilliant:
1 - Rauch had the entire town and its townspeople clad in gray when the music man comes to town. This set up the town's emotional status perfectly, visibly demonstrating their closed-off, drab, uninspired lives. Only the music man was in color at the beginning, in his bright red jacket. As the town slowly warmed to him and his ideas, bright clothes replaced gray ones, until only the stubborn mayor remained sans technicolor. If you've seen the movie Pleasantville, it had that same powerful effect.
2 - Rauch had the character of Marcellus Washburn (the Buddy Hackett character in the 1962 film) played by a deaf actor. It was mesmerizing and, at the risk of sounding condescending, heart-warming! It made the dialogue fascinating as the music man and Marcellus communicated with each other in a rhythm of words, grunts (that sounds weird, but it's true), and sign language. Furthermore, sign language even found its way into the choreography of one of the numbers the town sings. The sign language was obvious, but at the same time it seemed subtle in the way it sort of bloomed casually from everyone's hands. It was endearing (as is the character of Marcellus) and exciting to see on stage.
Kids favorite parts
At times I wasn't sure my kids knew what to make of the musical. I went over the general plot with them ahead of time and told them it would be a long production, but that's about it. Dane was pretty stoic throughout, and Aubrey smiled and laughed (taking cues from me while she sat on my lap? I don't know).
Afterwards, Dane said he liked the part at the end when the music man's been found out and the town is about to decide his fate when the uniformed marching band surprisingly shows up. He liked the uniforms, the kids, how they showed up to make a difference in the music man's fate, and how they played miserably but their parents were proud.
Aubrey said she liked the walking bridge scene, where a giant blue fabric is whooshed across stage under sparkly lights to look like the river.
Both kids liked the library scene.
(Dare I say it? Maybe... I got trouble!)
Labels:
Bill Rauch,
Grandparents,
OSF,
play,
review,
The Music Man
Sunday, March 08, 2009
Sunday Summary
Two things to report:

1 - Hired a babysitter this afternoon and went with Mick to the OSF production of Death and the King's Horseman. Excellent play. The playwright, Wole Soyinka, is an African who won the Nobel Prize. This particular play is rarely performed outside of Africa, but this year it's being performed in two places: London and Ashland. That makes me happy.
The play takes place in the 1940s and "is based on a real incident that took place in Nigeria during British colonial rule when the ritual suicide of the Horseman of an important chief was prevented by the intervention of the colonial authorities.[1] In addition to the British intervention, Soyinka calls the horseman's own conviction toward suicide into question, posing another problem that throws off the community's balance."
There were many poignant moments, highlighting the conflicts of colonialism and change, but one line stands out for me, affirming what I understand of colonialism. A young African man who has studied medicine in England returns to Africa and reflects on the current crisis in light of his experience abroad, saying, "Your people disrespect what you don't understand."
I love that. What a brilliant way to point out the presumptuousness of dominant nations and their citizens.
Anyway, Mick and I liked the play, liked getting out, and liked our prawn nachos at Tabu afterwards. We also liked coming home to two jumproping kids in the living room, who now call for my attention - so I have to cut this short.
But one more thing...

2 - Went skiing with our family and Kai and his two girls yesterday. Sweet powder. Evidently there was some sweet chubby-chick-snowboarder-butt-crack, too. But it gets better. Kai pointed to said crack as Mick was skiing down the hill. Evidently, the chick sitting was on the hill adjusting her boots, and had a pretty deep crevice atop her drawers. Mick flew down and stopped right before her, spraying her backside with a perfect whoosh of powder that filled the top of her pants and her crack. Then he had the nerve to look uphill when she turned around, miffed -- and act as if he was looking for me. Kai took off skiing and laughing to himself. Later he told me Mick made a perfect little cone in her crevice. I thought maybe we should coin the term "snow coning."

Watch out!
Two things to report:

1 - Hired a babysitter this afternoon and went with Mick to the OSF production of Death and the King's Horseman. Excellent play. The playwright, Wole Soyinka, is an African who won the Nobel Prize. This particular play is rarely performed outside of Africa, but this year it's being performed in two places: London and Ashland. That makes me happy.
The play takes place in the 1940s and "is based on a real incident that took place in Nigeria during British colonial rule when the ritual suicide of the Horseman of an important chief was prevented by the intervention of the colonial authorities.[1] In addition to the British intervention, Soyinka calls the horseman's own conviction toward suicide into question, posing another problem that throws off the community's balance."
There were many poignant moments, highlighting the conflicts of colonialism and change, but one line stands out for me, affirming what I understand of colonialism. A young African man who has studied medicine in England returns to Africa and reflects on the current crisis in light of his experience abroad, saying, "Your people disrespect what you don't understand."
I love that. What a brilliant way to point out the presumptuousness of dominant nations and their citizens.
Anyway, Mick and I liked the play, liked getting out, and liked our prawn nachos at Tabu afterwards. We also liked coming home to two jumproping kids in the living room, who now call for my attention - so I have to cut this short.
But one more thing...

2 - Went skiing with our family and Kai and his two girls yesterday. Sweet powder. Evidently there was some sweet chubby-chick-snowboarder-butt-crack, too. But it gets better. Kai pointed to said crack as Mick was skiing down the hill. Evidently, the chick sitting was on the hill adjusting her boots, and had a pretty deep crevice atop her drawers. Mick flew down and stopped right before her, spraying her backside with a perfect whoosh of powder that filled the top of her pants and her crack. Then he had the nerve to look uphill when she turned around, miffed -- and act as if he was looking for me. Kai took off skiing and laughing to himself. Later he told me Mick made a perfect little cone in her crevice. I thought maybe we should coin the term "snow coning."

Watch out!
Saturday, February 14, 2009
HAPPY VALENTINES DAY mua-ha-ha-ha....

Mick and I celebrated Valentines Day last night at the Oregon Shakespeare Festival's opening night of Macbeth. Mick found me wandering the halls at 3 this morning in my gauzy linen sheath, wringing my hands and crying, "Out, damn'd spot! Out, I say!"
It was an excellent performance, with a compelling set, stunning dresses for Lady Mac, and well-chosen actors for the lead roles - especially Macbeth, Lady Macbeth and the witches.
We both bought $100 Flex Passes yesterday, so we'll get to see the other five plays this season. The Flex Pass is good on certain days of the week in Feb-May and then in Sept-Nov. The tickets come to $20 each, where they can otherwise range from $40 to $90. Mmmm... I love a good deal.
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