Monday, December 11, 2006

Baroque Northwest's Mediterraneo: From Byzantium to Iberia
A 'ONCE-REMOVED' REVIEW by Anjie Reynolds

Okay, okay, okay. I wasn't there -- but I really wish I had been!
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I wanted to hear what the Seattle Post-Intelligencer calls Baroque Northwest's "stylish playing, excellent precision, and understanding of baroque conventions."
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And I really, really wanted to hear, yet again, what Elizabeth Widel of The Chronical calls Karen Urlie's voice: "one of the most exquisite soprano instruments I've ever heard, on records or off..."
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As it were, Mike and Jan Reynolds were there to report on Karen's vocal performance with Baroque Northwest last Saturday night. Here's what they had to say:
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The Sound
She met the difficult challenge seemingly easily, like a warm knife cutting butter.
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Considering the very low range the final piece required, this soprano demonstrated wonderful control of her voice. It was angelic.
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The Group
Karen was introduced very kindly and with great credibility by the leader of the group, Kim. Karen was the only one performing that's from Seattle and the Pacific Northwest. Two others were from California and one from Texas and another from not-sure-where.
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One works at Pacific Lutheran University as the head of the Lute & Guitar program. Another is heavily immersed in the 'early musicians'; he must have played more than a half-dozen historical stringed instruments. And he had the perfect voice -- a mix between Jewish and Muslim prayer callers. Incredibly beautiful. Like Karen, perfect.
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The Instruments
The Ud (oud), viola da gambo, psaltery, lute, baroque guitar, vihuela and the 'common' theorbo were played.
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The Diva's Attire (Couldn't leave this out now, could I???)
She wore a long black skirt, spiffy black heels, and a beautiful jacket in dark colors with some gold thread throughout. Classy.
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A heartfelt thanks to Mike and Jan, specials to the Brag Page.
My apologies for the asterisks; blogger wasn't letting me have separate paragraphs today without them.

This has been another edition of NETTY'S BRAG PAGE. (C) 2006

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